"Feldbau’s performance was not just technically impressive but mature and beautifully shaped. The slow themes were played with gorgeous lyricism and just the right amount of rubato; the runs were glittering, light and fast as the wind, with every note fully articulated; the big, thundering passages were plenty big and thundering... an amazing, theatrical performance that left the audience bug-eyed".
Vanity Fair Magazine, Doug Stumpf, December 2010

 "Andy Feldbau, who phrased with nuance and expressive rubato, showed an instinctive taste for the style of this region and period - Romantic with a cool edge."
The New York Times, Zachary Woolfe, November 2011